Category: Singles

LMK (What’s Really Good Remix)

Singles October 13, 2018

(Written By Miguel Anderson)

As we watch two rap superstars, Nicki Minaj and Cardi B, engage in a full fledged battle over who is a better rapper, they have left the arena empty for female empowerment. The fighting has forced the masses to pick sides, and as a result, crowds have pit the two artists against each other. Fans and non-fans alike have compared their bars, sales, and reputations and used this as a tool to tear them down.

Back in the 90s, there was a strong unity between female rappers. They coexisted with each other, often sharing the stage. In 1994, Lil’ Kim released “Not Tonight (Ladies Night Remix),” which was a testimate to it; the song featured Missy Elliott, Angie Martinez, Da Brat, and Lisa Lopes, all of who were amazing female rappers. Thinking back, this was a landmark moment in hip-hop history that celebrated females in a male dominated industry. It’s something that’s not apparent in today’s rap landscape despite the fact that we have a vast amount of female rappers who are in the spotlight, but not supportive of each other. This goes to show that now more than ever, rap is in a state where it needs more female empowerment, especially since the last big female rap reunion song was released more than twenty years ago.

“LMK (What’s Really Good Remix)” is the solution to our long awaited call for female empowerment: the song brings together some of the most polarizing and demanding figures in rap today who celebrate each other to deliver an anthem. The ladies call out the men who exploit them when picking them up, telling listeners how someone should pick them up. The song reads well in the club or on a tinder profile. With that said, it’s the girls night out we’ve all been waiting for. These ladies build up their attitudes and agenda, spitting slick raps and verses along a smooth and slick rework of the original “LMK.” They all show their best moments with Junglepussy leading the way with a killer verse: Junglepussy teases whoever might pursue her or not, taunting, “You could sleep on me but then you’ll see me in your dreams / You will never leave me, you my BRB / You’ll be back crawlin’ right back on your ashy knees like please.” Then it turns to the other girls, with Princess Nokia rapping “Will you let me know if you’re riding with?”, CupcakKe demanding that she’s not “looking for Cupid,” and Ms. Boogie stating, “I make the rules so they obey me.” These girls push the most powerful messages and call out the issues surrounding female empowerment across all platforms, not only that, but they push this message together. For a rap crisis, “LMK (What’s Really Good Remix)” saves the day.

All The Work

New Music, Singles August 5, 2018

(Written by Miguel Anderson)

The subject of loss is nothing new to Amber Mark. Her debut EP, 3:33AM was an ode to it. The EP focused on her sorrowful emotions and journey coping with her mother’s death. Just like 3:33AM focuses on loss, so does her latest EP, Conexão. Conexão centers around a relationship that started off with high hopes but eventually failed. However, rather than concentrate on the grief and sulk in the loss it brought, Conexão shifts focus to the victory Amber finds to embrace after fully coming to terms with her loss. The track “All The Work,” full of groove and spunk from her latest, exemplifies this victorious feeling.

“All The Work,” embedded in sophisticated loose cuts of house and bossa nova, is Amber pushing past personal boundaries that have kept her silent and instead, offers a different narrative to her music that is eager to be heard. She flaunts her pain created by her ex and turns it into courage that allows the listener to engage with her story. From the beginning of the song, Amber makes it clear that she has been hurt, cooing, “I have cried many miles worth of tears / Damn well tried, I gave up all these years.” Then, the house beat kicks in, letting her newfound bravery unfold. Amber sings, “Now that I, I put in all the work / Down in all the dirt / You want to try, to say that you and I / Should get back to how we were.”

Here, Amber is simply reminding him of all the work she has done to uphold the relationship, and now that the relationship is in danger, he wants her back, to which Amber replies, “I’ve moved on.” The punchy percussion aids her story and grants her to lay down her unpleasant experience in the relationship with authority and force. The beat adds emotion to the words where you can feel the intensity of her displeasure. She channels victory with these words, her realization, puts her on the opposite side where she is no longer being mistreated, instead now she is empowered by her words. This feeling of empowerment is the best aspect of the song, as it allows the listener to let go of all the bad that has happened and enjoy what they have achieved on their own. Amber does it too, In the final phase of the song, she lets the hammer fall down singing, “All of a sudden, I’m all you need.” This being the outro to Conexão, represents how things have changed since the start of her unhealthy one-sided relationship. She speaks with unforgiving confidence from now on, no longer miserable. Letting go of him, she allows herself and the listener to partake in her success and endurance.

 

Listen to Conexão here.

 

Dreamz

New Music, Singles July 12, 2018

(Photo by Roger Gallegos)

(Written by Ashley Flamenco)

Sara King has been posting covers on YouTube for over 4 years now, covering music by artists like Lana Del Rey, Brockhmapton, and Gus Dapperton. But at last, at 18 years old, she has released original music, making quite an impressive single, “Dreamz,” on her very first go. And this is just one of the tunes from her upcoming EP, Heat, that is set to come out later this July.

The influence of some of her favorite musicians is definitely apparent on the track. The song is kind of like a mix of Clairo, who she’s covered on her channel before, and Katzu Oso with a touch of Kali Uchis and a bit of glitter thrown on top. Heavy synth and soft ethereal vocals give “Dreamz” a quite magical, (unsurprisingly) “dreamy,” and disco-ey pop sound and her sweet personality shines through, creating a joyful mood. As Sara hoped for, this is surely a bop, one that you’ll want to groove to and have on repeat all summer (I know I will). Keep your eyes (or ears) peeled for more of her summery bops coming your way.

Make sure to check out her covers here

love4eva

New Music, Singles June 6, 2018

(Written by Miguel Anderson)

As LOONA (stylized as LOOΠΔ) continues to solidify themselves as K-Pop’s most talented acts who have the presence and ability to compete in the fast-paced and saturated industry, they continue to distinguish themselves amid the competition.

It’s known that K-Pop is a fast-paced business. Companies spew out a catchy song along with a heavily choreographed dance to a group each month, so little time is taken out towards creating a quality song. However recently, LOONA has been breaking this routine, or at least moving past the ever so basic pop song. You can date this to the start of LOONA’s debut process, where each girl of the 12-member group has released an amazing song that veers past a catchy melody every month. Each song, true to the identity and character of each girl, shows its powerful abilities in singing and rapping. The songs come fully equipped with top notch vocals, amazing productions, and aesthetic visuals that go beyond what the K-Pop industry has been accepting for the past decade.

“love4eva” by their sub-unit LOONA yyxy is no different from this. The unit, consisting of Yves, Olivia Hye, Chuu, GoWon has made a joyful splash into the K-Pop world with the help of experimental pop artist Grimes. It’s fitting that Grimes and LOONA have collaborated together. Both artists have created their own distinctive musical worlds that elevate each of their sound and style and they seem to fit perfectly with each other through this collaboration. Grimes helps introduce the girls into their “sweet” feelings and set the tone for the bubbly track as they analyze love’s emotions with confusion and ambition. “Love4eva” explodes with colorful synths and carries an energetic bouncy beat which is finally aided by an EDM dance break definitely inspired by Grimes’ experimental style. Having E-Tribe hands in production, the duo has churned out a cute tune for the girls that sounds both lively and classic, completing the debut process for each of the girls and introducing LOONA yyxy to the world.